BlackMagic Revolution


The picture quality is the most compelling reason we use the BlackMagic Cinema Camera. Why 12 Bit RAW ? Read more

I specialize in helping local business tell their story through a cinematic experience. I embarked on a life experiment pursuing passions. This decision has changed my life in ways I could have never imagined and while it has not been easy, I’ve never looked back. I hope you enjoy my art. Looking forward documenting your journey.

Bordeaux Wine

Biarritz Time

“Every portrait that is painted with feeling is a portrait of the artist, not of the sitter. The sitter is merely the accident, the occasion. It is not he who is revealed by the painter; it is rather the painter who, on the colored canvas, reveals himself.” ― Oscar Wilde

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WebTV Production


The BMPCC  & Hasselblad H2 match the way we want to tell a story.

Mon équipement / My gear:
– Blackmagic Pocket Cinema Camera
– Glidecam HD 2000
– Manfrotto 190 & MVH502AH
– Blackmagic Video Assist 4K
– MBSB + Sigma Art 18-35mm
– MBSB + Classic Nikon 50mm
– MBSB + 85mm Samyang T1.5
– MBSB + Nikon 80-400mm
– Aputure Amaran HR672S
– Aputure LightStorm LS 1/2W
– Wireless Filmmakers Kit & ZH1
– Davinci Resolve 15 + Capture  One 11
– Iconic Hasselblad H2f Series
– HC 150mm + Analog HM 16-32

128 GB shot in RAW = 30 min with shooting ratio 10:1 resulting in three 60 sec. director cuts and one 30 sec. teaser. Releasing one every week gives you social media WebTV exposure for one month.

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Creating Magic.


90% of the info transmitted to the brain is visual. 

As a DP, Director of Photography, my tool is a box with a glass window, lifeless until I breathe into it my creative spirit. Movies are reflections of light coming from a two-dimensional screen – just static flashes of light and color interrupted by short moments of darkness. These impulses manipulate the brain to experience the emotions of a story, and that’s a form of magic.